He was also featured as Muhammad Ali’s boxing trainer and cornerman Angelo Dundee in Michael Mann’s 2001 biopic Ali.įrom 2001 to 2002 and again from 2005 to 2006, he had a recurring role as presidential campaign adviser Bruno Gianelli on the NBC series The West Wing.
RON SILVER TIMECOP TV
In other films based on true stories, Silver portrays tennis player Bobby Riggs in the TV docudrama When Billie Beat Bobby (2001), about Riggs’ real-life exhibition tennis match against Billie Jean King, which Riggs lost.
On television in 1998, he starred opposite Kirstie Alley for season two of her TV comedy series Veronica’s Closet. Silver portrayed a corrupt, rogue senator in the 1994 Jean-Claude Van Damme sci-fi thriller Timecop.
He played a film producer in Best Friends opposite Burt Reynolds and Goldie Hawn (1982), an actor in Lovesick (1983) and a film director in Mr. Simpson trial.įrom 1991 to 2000, Silver served as president of the Actors’ Equity Association.
RON SILVER TIMECOP TRIAL
He portrayed two well-known attorneys in films based on actual events, playing defense attorney Alan Dershowitz in the drama Reversal of Fortune (1990), based on the trial of Claus von Bülow and defense attorney Robert Shapiro in the television film American Tragedy (2000) ), the story of the O. He starred as Jerry Lewis’s character’s son in the multi-episode “Garment District Arc” of the television crime series Wiseguy (1988). Additional screen roles include a psychiatrist in the horror story The Entity (1983), the devoted son of Anne Bancroft in Garbo Talks (1984), an incompetent detective in Eat and Run (1986), the pistol-wielding psychopath stalking Jamie Lee Curtis in 1989’s Blue Steel, and the lead in Paul Mazursky’s Oscar-nominated Enemies: A Love Story (1989). From 1976 to 1978, he had a recurring role as Gary Levy in the sitcom Rhoda, a spin-off from The Mary Tyler Moore Show. In 1976, he made his film debut in Tunnel Vision, and also played a placekicker in the football comedy film Semi-Tough. Silver and his co-star, actor Jeff Goldblum, were discovered by Hollywood film agents during this show’s run. Producers Richard Flanzer and Roy Silver (no relation) opened it at the famed Whiskey a Go Go on the Sunset Strip in Los Angeles. Silver got his big acting break starring in El Grande de Coca-Cola in 1974. He also attended Columbia University’s Graduate School of International Affairs (SIPA) and studied acting at the Herbert Berghof Studio, and later at The Actors Studio. John’s University in New York and the Chinese Culture University in Taiwan. Silver went on to graduate from the State University of New York at Buffalo, with a Bachelor of Arts in Spanish and Chinese, and received a master’s degree in Chinese History from St. Silver was raised Jewish on the Lower East Side of Manhattan and attended Stuyvesant High School. Enough, indeed, to make this brainless romp a real blast.Silver was born on July 2, 1946, in Manhattan, the son of May (née Zimelman), a substitute teacher, and Irving Roy Silver, a clothing sales executive. While his characterisation - a heroic lump of granite - fits this comic absurdity perfectly as he kicks, punches, lumpenly wisecracks, leaps from exploding buildings, always gets his man and pops through time with an impressive custard-like plop. Van Damme once again bends and twists his muscular frame to superhuman excess, but his Belgian tonsils have all the flexibility of the Himalayas when it comes to splurting out his one-liners. Add in a time-twisting sub-plot involving Van Damme's dead-wife (Sara) and proof positive that making contact with yourself in the past has some unpleasant side-effects and you've got a rollicking, kickboxing variation on Groundhog Day. Now, though, he has to reckon with megalomaniac, slightly-psychotic senator Ron Silver tapping history for enough wealth to fund his presidental campaign and paying negligable heed to the value of human life and those don't-fiddle-with-the-past rules. In 2004, scowling, haunted law enforcement officer Van Damme patrols the ultra hi-tech time paths to make sure no scheming so and so zips back down the years to adjustment the present, a task he achieves mainly by kicking them very hard in the head. But hey, this is meant to be nonsense and despite its mind-boggling pretensions, it still delivers pure sub-cranial entertainment. It's a good thing the latest Van Damme actioner is based on a comic book, for if you give its sci-fi time-travel plot more than 10 seconds worth of thought, it disintegrates into a mish-mash of time-space continuum baloney.
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